My work is exploring themes of identity, self discovery, and of emotional reflection through my photography and film. I am using image making as a way to understand not only who I am as an artist but who I am becoming as a person. My work sometimes exists in quiet, still environments, where the feelings of sadness, doubt and often imposter syndrome are present but also is growth. The reason I make photographs is to turn my experiences into a visual narrative that is cinematic, and rooted in quick moments of my life. I rely heavily on natural light as my primary source because it feels honest and uncontrolled. I am also drawn to low light and shadows because I see them as tools to help me create depth and emotion in my work. I warm my images to create a soft natural tone that creates a cinematic feel. I use self portraiture photography to hold up a mirror to myself to help me fight my anxiety and imposter syndrome. That's why close ups are dear to my work because they invoke emotion directly, while medium-close up allows both distance and vulnerability. I created this work to build a unified world between photography and film. My goal is to connect all these mediums into one voice, my voice through my art.

“Instead of waiting for a seat at the table, we build our own table to sit at”.

-Fred Riley

Email:dtrprdouctions@gmail.com

Based in South Carolina, photographer and filmmaker Fred Riley examines identity, self-discovery, and emotional reflection through visual narrative. Their practice analyzes the way personal experience, emotional states and memory influence the making and reading of images.Their work is mostly through photography and film creating dramatic and contemplative images frequently in calm and intimate locations. Their work explores themes of fear, doubt, growth and self-awareness using image-making as a vehicle for personal contemplation and transformation.They are attracted to natural light for its honesty and unpredictability, and to shadow and low-light situations that provide emotional depth. Self-portraiture is an integral aspect of their practice, enabling them to directly engage with personal experiences and explore vulnerability through frame, composition and tone.Their approach today centers itself with creating a unifying visual language across photography and film, and a cohesive body of work that connects personal narrative with cinematic expression.